[CHEERING AND APPLAUSE] Man: LADIES AND GENTLEMEN, JOHN MELLENCAMP WITH SPECIAL GUEST AL KOOPER.

[PLAYING "LIKE A ROLLING STONE"] ♪ ONCE UPON A TIME, DRESSED SO FINE ♪ ♪ THREW THE BUMS A DIME IN YOUR PRIME ♪ ♪ DIDN'T YOU?

♪ ♪ PEOPLE CALL AND SAY, "NOW, YOU'RE BOUND TO FALL" ♪ ♪ YOU THOUGHT THEY WERE ALL KIDDING YOU ♪ ♪ YOU USED TO LAUGH ABOUT ♪ ♪ EVERYBODY THAT WAS HANGING OUT ♪ ♪ NOW YOU DON'T TALK SO LOUD ♪ ♪ NOW YOU DON'T SEEM SO PROUD ♪ ♪ ABOUT HAVING TO BE SCROUNGING ♪ ♪ FOR YOUR NEXT MEAL ♪ HERE WE GO.

♪ HOW DOES IT FEEL ♪ ♪ HOW DOES IT FEEL ♪ ♪ TO BE ON YOUR OWN ♪ ♪ WITH NO DIRECTION HOME ♪ ♪ AND A COMPLETE UNKNOWN ♪ ♪ LIKE A ROLLING STONE?

♪ Woman: ♪ YEAH, YEAH ♪ ♪ WELL, YOU'VE GONE TO THE FINEST SCHOOLS ♪ ♪ ALL RIGHT, LITTLE MISS LONELY ♪ ♪ BUT YOU ONLY GOT JUICED IN IT ♪ ♪ SEE, NOBODY EVER TAUGHT YOU ♪ ♪ HOW TO LIVE OUT ON THE STREET ♪ ♪ AND NOW YOU KNOW YOU GOT TO GET USED TO IT ♪ YES.

♪ YOU SAID YOU'D NEVER COMPROMISE ♪ ♪ WITH THE MYSTERY TRAMP, BUT NOW YOU REALIZE ♪ ♪ HE'S JUST NOT SELLING NO ALIBIS ♪ ♪ AS YOU STARE INTO THE VACUUM OF HIS EYES ♪ ♪ AND SAY, "DO YOU WANT TO MAKE A DEAL?"

♪ HERE WE GO.

♪ HOW DOES IT FEEL ♪ ♪ HOW DOES IT FEEL ♪ ♪ TO BE ON YOUR OWN ♪ ♪ WITH NO DIRECTION HOME ♪ ♪ AND A COMPLETE UNKNOWN ♪ ♪ LIKE A ROLLING STONE?

♪ Different woman: ♪ WELL ♪ ♪ YOU NEVER TURNED AROUND TO SEE THE FROWNS ♪ ♪ ON THE JUGGLERS AND THE CLOWNS ♪ ♪ WHEN THEY ALL COME DOWN AND DID THEIR TRICKS FOR YOU ♪ ♪ YOU NEVER UNDERSTOOD THAT IT AIN'T NO GOOD ♪ ♪ YOU SHOULDN'T LET OTHER PEOPLE ♪ ♪ GET YOUR KICKS FOR YOU ♪ ♪ YOU USED TO RIDE ON THE CHROME HORSE WITH YOUR DIPLOMAT ♪ ♪ WHO CARRIED ON HIS SHOULDER A SIAMESE CAT ♪ ♪ AIN'T IT HARD WHEN YOU DISCOVER THAT ♪ ♪ HE REALLY WASN'T WHERE IT'S AT ♪ ♪ AFTER HE TOOK FROM YOU EVERYTHING HE COULD STEAL?

♪ ♪ HOW DOES IT FEEL ♪ ♪ HOW DOES IT FEEL ♪ ♪ TO BE ON YOUR OWN ♪ ♪ NO DIRECTION HOME ♪ ♪ AND A COMPLETE UNKNOWN ♪ ♪ LIKE A ROLLING STONE?

♪ HERE WE GO.

♪ PRINCESS ON THE STEEPLE ♪ ♪ ALL THE PRETTY PEOPLE ♪ ♪ THEY'RE THINKING, DRINKING THAT THEY GOT IT MADE ♪ ♪ EXCHANGING ALL PRECIOUS GIFTS ♪ ♪ YOU'D BETTER TAKE THAT DIAMOND RING ♪ ♪ YOU'D BETTER PAWN IT, BABE ♪ ♪ YOU USED TO BE SO AMUSED ♪ ♪ AT NAPOLEON IN RAGS ♪ ♪ AND ALL THE CLEVER LANGUAGE THAT HE USED ♪ ♪ GO TO HIM NOW, HE CALLS YOU, AND YOU CAN'T REFUSE ♪ ♪ AND THAT YOU REALIZE YOU GOT NOTHING TO LOSE ♪ ♪ YOU'RE INVISIBLE NOW ♪ ♪ YOU GOT NO SECRETS TO CONCEAL ♪ ♪ WELL, HOW DOES IT FEEL ♪ ♪ HOW DOES IT FEEL ♪ ♪ TO BE ON YOUR OWN ♪ ♪ WITH NO DIRECTION HOME ♪ ♪ AND A COMPLETE UNKNOWN ♪ ♪ LIKE A ROLLING STONE?

♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] AL KOOPER ON ORGAN, LADIES AND GENTLEMEN.

THANK YOU.

Man: I'D LIKE TO WELCOME STEVIE WONDER.

[CHEERING AND APPLAUSE] THANK YOU SO MUCH, LADIES AND GENTLEMEN.

[PIANO PLAYING] IT IS MY PLEASURE BEING HERE FOR BOB.

THE SONG I'D LIKE TO DO FOR YOU IS A SONG THAT I HAD THE PLEASURE OF DOING WHEN I WAS 15 YEARS OLD.

NOW THE SIGNIFICANCE OF THE SONG TO ME IS THAT IT'S A SONG THAT WILL LAST, UNFORTUNATELY, FOR A LONG, LONG TIME, AND WHEN I SAY UNFORTUNATELY, I'M TALKING ABOUT...

THE FACT THAT IT WILL ALWAYS BE RELEVANT TO SOMETHING THAT IS GOING ON IN THIS WORLD OF OURS.

IN THE SIXTIES, THE SONG RELATED TO THE CIVIL RIGHTS MOVEMENT AND THE WAR IN VIETNAM; THE SEVENTIES, WATERGATE AND STEPHEN BIKO AND THE STRUGGLE IN SOUTH AFRICA...

IN THE EIGHTIES, STILL RELEVANT TO THE FIGHTING AGAINST APARTHEID IN SOUTH AFRICA... ♪ MM, OH ♪ AND THE FIGHTING TO END STARVATION.

WELL, TODAY IN THE NINETIES, THIS SONG IS STILL VERY RELEVANT.

AS YOU THINK ABOUT WHO YOU SHOULD VOTE FOR, I WANT YOU TO VOTE FOR THAT PERSON THAT IS GOING TO COMMIT TO BRINGING UNITY TO ALL PEOPLE NOT ONLY THROUGHOUT THE WORLD, BUT IN THIS COUNTRY.

VOTE FOR THE ONE WHO IS GOING TO COMMIT TO OPENING UP HIS HEART TO THOSE MINORITIES THAT MAKE UP THE MAJORITY OF THIS COUNTRY.

♪ MM ♪ ♪ HOW MANY ROADS ♪ ♪ MUST A MAN WALK DOWN ♪ ♪ BEFORE THEY CALL HIM A MAN?

♪ ♪ HOW MANY SEAS ♪ ♪ MUST A WHITE DOVE SAIL ♪ ♪ BEFORE SHE SLEEPS IN THE SAND?

♪ ♪ AND HOW MANY TIMES ♪ ♪ MUST THOSE CANNONBALLS BE FIRED ♪ ♪ BEFORE THEY'RE FOREVER BANNED?

♪ ♪ OH, YEAH ♪ ♪ LET ME TELL YOU THAT THE ANSWER, MY FRIEND ♪ ♪ IS BLOWIN' IN THE WIND ♪ ♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ OH ♪ ♪ WHOA HOO ♪ ♪ OH ♪ ♪ NOW, HOW MANY YEARS ♪ ♪ HOW MANY YEARS ♪ ♪ CAN A MOUNTAIN EXIST ♪ ♪ OH, BEFORE ♪ ♪ BEFORE IT'S WASHED TO THE SEA?

♪ ♪ YEAH ♪ ♪ YEAH ♪ ♪ AND HOW MANY YEARS ♪ ♪ CAN A MAN EXIST ♪ ♪ OH ♪ ♪ BEFORE HE'S ALLOWED TO BE FREE ♪ ♪ LIKE STEPHEN BIKO?

♪ ♪ HOW MANY TIMES ♪ ♪ CAN A MAN TURN HIS HEAD ♪ ♪ TURN THAT HEAD AND PRETEND ♪ ♪ AND PRETEND THAT HE JUST DOESN'T SEE?

♪ ♪ HE DOESN'T SEE, DOESN'T SEE, YEAH ♪ ♪ YEAH, YOU KNOW ♪ ♪ THE ANSWER, MY FRIEND ♪ SING IT, KEITH.

♪ IS BLOWIN' IN THE WIND ♪ ♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ YOU LIKE IT, SING IT WITH ME ONE MORE TIME, ONE MORE TIME ♪ ♪ I SAID THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ OH, IT'S BLOWING ♪ ♪ BRING IT DOWN, SING ♪ ♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ CAN I HEAR THE PEOPLE IN THE AUDIENCE SING IT ONE TIME FOR STEVIE?

♪ SING ♪ ♪ THE AN-- ♪ SWER IS BLOWIN' IN THE WIND ♪ ♪ I DON'T HEAR, LET ME HEAR YOU SING IT LOUDER ♪ ♪ LOUDER, LOUDER ♪ LET ME HEAR YOU SING.

♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ OH ♪ SING TOGETHER.

Audience: ♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ SING IT LOUDER, SING IT LOUDER ♪ ♪ WE WANT TO HEAR YOU, SING IT LOUDER ♪ Audience: ♪ THE ANSWER IS BLOWIN' IN THE WIND ♪ ♪ HEY, WHOA ♪ ♪ OH ♪ ♪ THE ANSWER IS BLOWIN' ♪ ♪ THE ANSWER IS BLOWIN' ♪ ♪ THE ANSWER IS BLOWIN' ♪ KEITH, LET ME HEAR YOU SING.

♪ SAY, IT'S BLOWIN' ♪ ♪ YES, IT'S BLOWIN' ♪ ♪ SAY, IT'S BLOWIN' ♪ ♪ IT'S BLOWIN' ♪ ♪ SAY, IT'S BLOWIN' ♪ ♪ SAY, IT'S BLOWIN' ♪ ♪ SAY, IT'S BLOWIN', BABE ♪ ♪ YEAH, IT'S BLOWIN' ♪ ♪ OH, IT IS BLOWIN' ♪ ♪ OH, IT'S BLOWING ♪ ♪ OH, IT'S BLOWING ♪ ♪ OH, IT IS BLOWING ♪ ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ ♪ OH, NO ♪ ♪ THE ANSWER ♪ ♪ IT IS BLOWING ♪ ♪ IN THE, THE, THE, THE, THE, THE, THE, THE, THE, THE, THE ♪ ♪ YOU KNOW THE ANSWER ♪ ♪ IS BLOWING IN THE WIND ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ YEAH ♪ GOD BLESS YOU, BOB.

SEE YOU.

[MUSIC ENDS] [CHEERING AND APPLAUSE] Man: STEVIE WONDER.

LADIES AND GENTLEMEN, LOU REED.

[CHEERING AND APPLAUSE] [PLAYING "FOOT OF PRIDE"] ♪ LIKE THE LION TEARS THE FLESH OFF OF A MAN ♪ ♪ SO CAN A WOMAN WHO PASSES HERSELF OFF AS A MALE ♪ ♪ THEY SANG "DANNY BOY" AT HIS FUNERAL ♪ ♪ AND THE LORD'S PRAYER ♪ ♪ PREACHER TALKING 'BOUT CHRIST BETRAYED ♪ ♪ LIKE THE EARTH JUST OPENED AND SWALLOWED HIM UP ♪ ♪ REACHED TOO HIGH, WAS THROWN BACK TO THE GROUND ♪ ♪ YOU KNOW WHAT THEY SAY ABOUT BEING NICE ♪ ♪ TO THE RIGHT PEOPLE ON THE WAY UP ♪ ♪ SOONER OR LATER, YOU GONNA MEET THEM ON THE WAY DOWN ♪ ♪ OH, THERE AIN'T NO COMING BACK ♪ ♪ WHEN YOUR FOOT OF PRIDE COME DOWN ♪ ♪ AIN'T NO COMING BACK ♪ ♪ WHOA, NO COMING BACK ♪ ♪ WHEN THE FOOT OF PRIDE COME DOWN ♪ ♪ AIN'T COMING BACK ♪ ♪ THEY GOT A BROTHER NAMED JAMES ♪ ♪ DON'T FORGET FACES OR NAMES ♪ ♪ SUNKEN CHEEKS, AND HIS BLOOD IS MIXED ♪ ♪ HE LOOKED STRAIGHT INTO THE SUN ♪ ♪ AND SAID, "REVENGE IS MINE" ♪ ♪ BUT HE DRINKS, AND DRINKS CAN BE FIXED ♪ ♪ SING ME ONE MORE SONG ♪ ♪ ABOUT YOU LOVE TO THE MOON AND A STRANGER ♪ ♪ AND YOUR FALL-BY-THE-SORDID LOVE AFFAIR WITH ERROL FLYNN ♪ ♪ IN THESE TIMES OF COMPASSION WHEN CONFORMITY'S IN FASHION ♪ ♪ SAY ONE MORE STUPID THING ♪ ♪ BEFORE THE FINAL NAIL IS DROVE IN ♪ ♪ OH, THERE AIN'T NO COMING BACK ♪ ♪ WHEN YOUR FOOT OF PRIDE COME DOWN ♪ ♪ HEY, HEY, HEY ♪ ♪ WHOA, BABY, THERE AIN'T NO COMING BACK ♪ ♪ THE FOOT OF PRIDE COMES DOWN, HEY, HEY, HEY ♪ ♪ AIN'T NO COMING BACK ♪ ♪ THERE'S A BUSINESSMAN NAMED RED CAST DOWN ♪ ♪ CAST DOWN FROM HEAVEN, HE'S OUT OF HIS HEAD ♪ ♪ HE FEEDS OFF OF EVERYONE THAT HE CAN TOUCH ♪ ♪ HE SAID HE ONLY DEALS IN CASH ♪ ♪ HE SELLS TICKETS TO A PLANE CRASH ♪ ♪ NOT SOMEBODY YOU PLAY AROUND WITH MUCH ♪ ♪ MISS DELILAH IS HIS, A PHILISTINE IS WHAT SHE IS ♪ ♪ SHE'LL DO WONDROUS WORKS WITH YOUR FATE ♪ ♪ AH, FEED YOU COCONUT BREAD ♪ ♪ SPICE BUNS IN BED ♪ ♪ IF YOU DON'T MIND SLEEPING ♪ ♪ WITH YOUR HEAD FACE DOWN IN A GRAVE ♪ ♪ WHOA, AIN'T COMING BACK ♪ ♪ THE FOOT OF PRIDE COMES DOWN, BABY ♪ ♪ HEY, HEY, AIN'T NO COMING BACK ♪ ♪ OH, HO, HEY, HEY ♪ ♪ THERE AIN'T NO COMING BACK ♪ ♪ WHEN THE FOOT OF PRIDE COMES DOWN ♪ ♪ WHOA, WHOA, AIN'T NO COMING BACK ♪ ♪ AW, WELL, THEY'LL CHOOSE A MAN FOR YOU TO MEET TONIGHT ♪ ♪ YOU PLAY THE FOOL AND LEARN HOW TO WALK THROUGH DOORS ♪ ♪ HOW TO ENTER INTO THE GATES OF PARADISE, NO ♪ ♪ HOW TO CARRY A BURDEN TOO HEAVY TO BE YOURS ♪ ♪ YEAH, FROM THE STAGE ♪ ♪ THEY'RE TRYING TO GET WATER OUT OF ROCKS ♪ ♪ A WHORE WILL PASS THE HAT, COLLECT A HUNDRED GRAND ♪ ♪ AND SAY, "HEY, HEY, HEY, THANKS" ♪ ♪ THEY LIKE TO TAKE ALL THIS MONEY FROM SIN ♪ ♪ BUILD BIG UNIVERSITIES TO STUDY IN ♪ ♪ SING "AMAZING GRACE" ALL THE WAY TO THE SWISS BANKS ♪ ♪ WHOA, AIN'T COMING BACK ♪ ♪ WHEN YOUR FOOT OF PRIDE COME DOWN ♪ ♪ HEY, HEY, HEY ♪ ♪ AIN'T NO COMING BACK, BABY ♪ ♪ AIN'T NO COMING BACK ♪ ♪ OH, THE FOOT OF PRIDE COME DOWN ♪ ♪ YOU AIN'T COMING BACK, UH HUH HUH ♪ ♪ AIN'T NO COMING BACK ♪ ♪ THEY GOT SOME BEAUTIFUL PEOPLE OUT THERE, MAN ♪ ♪ THEY CAN BE A TERROR TO YOUR MIND ♪ ♪ AND THEY'LL SHOW YOU HOW TO HOLD YOUR TONGUE ♪ ♪ THEY GOT MYSTERY WRITTEN ALL OVER THEIR FOREHEADS ♪ ♪ THEY THEIR KILL BABIES IN THE CRIB ♪ ♪ SAY, "ONLY THE GOOD DIE YOUNG" ♪ ♪ THEY DON'T BELIEVE IN MERCY ♪ ♪ AH, JUDGMENT ON THEM IS SOMETHING ♪ ♪ IS SOMETHING, IS SOMETHING THAT YOU NEVER, EVER SEE ♪ ♪ AW, THEY CAN EXALT YOU UP OR BRING YOU DOWN MAIN ROUTE ♪ ♪ TURN YOU INTO ANYTHING THEY WANT YOU TO BE ♪ ♪ OOH, AIN'T COMING BACK ♪ ♪ THE FOOT OF PRIDE ♪ ♪ AIN'T NO COMING BACK ♪ ♪ AIN'T NO COMING BACK ♪ ♪ AND THE FOOT OF PRIDE ♪ ♪ HEY, YEAH, YEAH ♪ ♪ AIN'T NO COMING BACK ♪ ♪ YEAH, I GUESS I LOVED HIM, TOO ♪ ♪ I CAN STILL SEE HIM IN MY MIND CLIMBING THAT HILL ♪ ♪ AH, DID HE MAKE IT TO THE TOP?

♪ ♪ WELL, HE PROBABLY DID, AND HE DROPPED ♪ ♪ STRUCK DOWN BY THE STRENGTH OF THE WILL ♪ ♪ OH, AIN'T NOTHING LEFT HERE, PARTNER ♪ ♪ JUST THE DUST OF THE PLAGUE, LEFT THE WHOLE ♪ ♪ LEFT THIS WHOLE TOWN AFRAID ♪ ♪ FROM NOW ON, THIS'LL BE WHERE YOU'RE FROM ♪ ♪ LET THE DEAD BURY THE DEAD, YOUR TIME WILL COME ♪ ♪ LET HOT IRON BLOW AS HE RAISED ♪ ♪ RAISED HIS SHADE ♪ ♪ OH, BABY, THERE AIN'T NO COMING BACK ♪ ♪ WHEN YOUR FOOT OF PRIDE COME DOWN ♪ ♪ OH, OH, OH, OH, AIN'T NO COMING BACK ♪ ♪ OH, HO, HO, AIN'T NO COMING BACK ♪ ♪ YOU KNOW THE FOOT, THE FOOT, THE FOOT OF PRIDE ♪ ♪ IS GONNA COME BACK DOWN ♪ ♪ WHOA, AIN'T NO COMING BACK ♪ ♪ AIN'T NO COMING BACK ♪ ♪ WELL, AIN'T NO COMING BACK, BABY ♪ ♪ OH, NO, NO, AIN'T NO COMING BACK ♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] Man: LADIES AND GENTLEMEN, PLEASE WELCOME FROM PEARL JAM EDDIE VEDDER AND MIKE McCREADY.

[CHEERING AND APPLAUSE] [ACOUSTIC GUITAR PLAYS CHORD] Vedder: HI.

[PLAYING "MASTERS OF WAR"] ♪ COME, YOU MASTERS OF WAR ♪ ♪ YOU THAT BUILD ALL THE GUNS ♪ ♪ YOU THAT BUILD THE DEATH PLANES ♪ ♪ YOU THAT BUILD ALL THE GUNS ♪ ♪ YOU THAT HIDE BEHIND WALLS ♪ ♪ YOU THAT HIDE BEHIND DESKS ♪ ♪ I JUST WANT YOU TO KNOW I CAN SEE THROUGH YOUR MASKS ♪ ♪ YOU THAT NEVER DONE NOTHING ♪ ♪ BUT TO BUILD AND DESTROY ♪ ♪ YOU PLAY WITH MY WORLD ♪ ♪ LIKE IT'S YOUR LITTLE TOY ♪ ♪ YOU PUT A GUN IN MY HAND ♪ ♪ AND YOU HIDE FROM MY EYES ♪ ♪ THEN YOU TURN AND RUN FARTHER ♪ ♪ WHEN THE FAST BULLETS FLY ♪ ♪ LIKE JUDAS OF OLD ♪ ♪ YOU LIE AND DECEIVE ♪ ♪ A WORLD WAR CAN BE WON ♪ ♪ YOU WANT ME TO BELIEVE ♪ ♪ BUT I SEE THROUGH YOUR EYES ♪ ♪ AND I SEE THROUGH YOUR BRAIN ♪ ♪ LIKE I SEE THROUGH THE WATER THAT RUNS DOWN MY DRAIN ♪ ♪ YOU THAT FASTEN ALL THE TRIGGERS ♪ ♪ FOR THE OTHERS TO FIRE ♪ ♪ THEN YOU SET BACK AND WATCH ♪ ♪ WHILE THE DEATH COUNT GETS HIGHER ♪ ♪ YOU HIDE IN YOUR MANSION ♪ ♪ WHILE YOUNG PEOPLE'S BLOOD ♪ ♪ FLOWS OUT OF THEIR BODIES AND IS BURIED IN THE MUD ♪ ♪ YOU'VE THROWN THE WORST FEAR ♪ ♪ THAT COULD EVER BE HURLED ♪ ♪ THE FEAR TO BRING CHILDREN ♪ ♪ INTO THIS WORLD ♪ ♪ FOR THREATENING MY BABY ♪ ♪ UNBORN AND UNNAMED ♪ ♪ YOU AIN'T WORTH THE BLOOD THAT RUNS IN YOUR VEINS ♪ ♪ HOW MUCH DO I KNOW ♪ ♪ TO TALK OUT OF TURN?

♪ ♪ YOU MIGHT SAY THAT I'M YOUNG ♪ ♪ YOU MIGHT SAY I'M UNLEARNED ♪ ♪ BUT THERE'S ONE THING I KNOW ♪ ♪ THOUGH I'M YOUNGER THAN YOU ♪ ♪ EVEN JESUS WOULD NEVER FORGIVE WHAT YOU DO ♪ YEAH.

♪ LET ME ASK YOU ONE QUESTION ♪ ♪ IS YOUR MONEY THAT GOOD?

♪ ♪ WILL IT BUY YOU FORGIVENESS?

♪ ♪ DO YOU THINK THAT IT COULD?

♪ ♪ OH, I THINK YOU WILL FIND ♪ ♪ WHEN YOUR DEATH TAKES ITS TOLL ♪ ♪ ALL THE MONEY YOU MADE ♪ ♪ WILL NEVER BUY BACK YOUR SOUL ♪ ♪ AND I HOPE THAT YOU DIE ♪ ♪ AND YOUR DEATH'LL COME SOON ♪ ♪ I WILL FOLLOW YOUR CASKET ♪ ♪ IN THE PALE AFTERNOON ♪ ♪ AND I'LL WATCH AS YOU'RE LOWERED ♪ ♪ INTO YOUR DEATHBED ♪ ♪ AND I'LL STAND O'ER YOUR GRAVE ♪ ♪ TILL I'M SURE THAT YOU'RE DEAD ♪ THANKS.

[CHEERING AND APPLAUSE] Woman: AND NOW, LADIES AND GENTLEMEN, TRACY CHAPMAN.

[CHEERING AND APPLAUSE] THANK YOU.

[PLAYING "THE TIMES THEY ARE A-CHANGIN'"] ♪ COME GATHER ROUND, PEOPLE ♪ ♪ WHEREVER YOU ROAM ♪ ♪ AND ADMIT THAT THE WATERS ♪ ♪ AROUND YOU HAVE GROWN ♪ ♪ AND ACCEPT IT THAT SOON ♪ ♪ YOU'LL BE DRENCHED TO THE BONE ♪ ♪ IF YOUR TIME TO YOU IS WORTH SAVING ♪ ♪ THEN YOU BETTER START SWIMMING ♪ ♪ OR YOU'LL SINK LIKE A STONE ♪ ♪ FOR THE TIMES THEY ARE A-CHANGIN' ♪ ♪ COME, WRITERS AND CRITICS ♪ ♪ WHO PROPHESIZE WITH YOUR PEN ♪ ♪ AND KEEP YOUR EYES WIDE ♪ ♪ THE CHANCE WON'T COME AGAIN ♪ ♪ AND DON'T SPEAK TOO SOON ♪ ♪ FOR THE WHEEL'S STILL IN SPIN ♪ ♪ AND THERE'S NO TELLING WHO THAT IT'S NAMING ♪ ♪ AMD THE LOSER NOW WILL BE LATER TO WIN ♪ ♪ FOR THE TIMES THEY ARE A-CHANGIN' ♪ ♪ COME, SENATORS AND CONGRESSMEN ♪ ♪ PLEASE HEED THE CALL ♪ ♪ DON'T STAND IN THE DOORWAYS ♪ ♪ DON'T BLOCK UP THE HALL ♪ ♪ FOR HE THAT GETS HURT ♪ ♪ WILL BE HE WHO HAS STALLED ♪ ♪ THERE'S A BATTLE OUTSIDE, AND IT IS RAGING ♪ ♪ IT'LL SOON SHAKE YOUR WINDOWS AND RATTLE YOUR WALLS ♪ ♪ FOR THE TIMES THEY ARE A-CHANGIN' ♪ ♪ COME, MOTHERS AND FATHERS ♪ ♪ THROUGHOUT THE LAND ♪ ♪ AND DON'T CRITICIZE ♪ ♪ WHAT YOU CAN'T UNDERSTAND ♪ ♪ YOUR SONS AND YOUR DAUGHTERS ♪ ♪ ARE BEYOND YOUR COMMAND ♪ ♪ YOUR OLD ROAD IS RAPIDLY AGING ♪ ♪ PLEASE GET OUT OF THE NEW ONE IF YOU CAN'T LEND YOUR HAND ♪ ♪ FOR THE TIMES THEY ARE A-CHANGIN' ♪ ♪ THE LINE, IT IS DRAWN ♪ ♪ THE CURSE, IT IS CAST ♪ ♪ THE SLOW ONE NOW WILL LATER BE FAST ♪ ♪ AS THE PRESENT NOW ♪ ♪ WILL LATER BE PAST ♪ ♪ YOUR OLD ROAD IS RAPIDLY FADING ♪ ♪ AND THE FIRST ONE NOW WILL LATER BE LAST ♪ ♪ FOR THE TIMES THEY ARE A-CHANGIN' ♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] Kris Kristofferson: THEY SAY THAT BOB DYLAN FIRST MET JOHNNY CASH AT THE NEWPORT FOLK FESTIVAL BACK IN 1964.

THEY SAID DYLAN JUST LOOKED UP AT HIM LIKE A BIG TREE AND WALKED AROUND AND GOT ALL THE WAY AROUND HIM AND SAID, "YEAH."

ALL RIGHT.

HERE, THE FRIENDSHIP THAT THEY FORMED HAD A PROFOUND EFFECT ON COUNTRY MUSIC.

IT BROUGHT A FOCUS OF ATTENTION AND RESPECT THAT THEY'D NEVER KNOWN, AND IT LED DIRECTLY TO WHAT'S HAPPENING WITH COUNTRY MUSIC TODAY.

HERE'S THE FIRST FAMILY OF COUNTRY MUSIC-- JUNE CARTER AND JOHNNY CASH.

[CHEERING AND APPLAUSE] [PLAYING "IT AIN'T ME BABE"] ♪ GO AWAY FROM MY WINDOW ♪ ♪ LEAVE AT YOUR OWN CHOSEN SPEED ♪ ♪ I'M NOT THE ONE YOU WANT, BABE ♪ ♪ I'M NOT THE ONE YOU NEED ♪ ♪ YOU SAY YOU'RE LOOKING FOR SOMEONE ♪ ♪ WHO'S NEVER WEAK BUT ALWAYS STRONG ♪ ♪ TO PROTECT YOU AND DEFEND YOU ♪ ♪ WHETHER YOU ARE RIGHT OR WRONG ♪ ♪ SOMEONE TO OPEN EACH AND EVERY DOOR ♪ ♪ BUT IT AIN'T ME, BABE ♪ ♪ NO, NO, NO, IT AIN'T ME, BABE ♪ ♪ IT AIN'T ME YOU'RE LOOKING FOR, BABE ♪ ♪ GO LIGHTLY FROM THE LEDGE, BABE ♪ ♪ GO LIGHTLY ON THE GROUND ♪ ♪ I'M NOT THE ONE YOU WANT, BABE ♪ ♪ I'LL ONLY LET YOU DOWN ♪ ♪ YOU SAY YOU'RE LOOKING FOR SOMEONE ♪ ♪ WHO WILL PROMISE NEVER TO PART ♪ ♪ SOMEONE TO CLOSE HIS EYES FOR YOU ♪ ♪ SOMEONE TO CLOSE HIS HEART ♪ ♪ SOMEONE WHO COULD DIE FOR YOU AND MORE ♪ ♪ BUT IT AIN'T ME, BABE ♪ ♪ NO, NO, NO, IT AIN'T ME, BABE ♪ ♪ IT AIN'T ME YOU'RE LOOKING FOR, BABE ♪ ♪ YOU SAY YOU'RE LOOKING FOR SOMEONE ♪ ♪ TO PICK YOU UP EACH TIME YOU FALL ♪ ♪ TO GATHER FLOWERS CONSTANTLY ♪ ♪ AND TO COME EACH TIME YOU CALL ♪ ♪ AND WILL LOVE YOU FOR YOUR LIFE AND NOTHING MORE ♪ ♪ BUT IT AIN'T ME, BABE ♪ ♪ NO, NO, NO, IT AIN'T ME, BABE ♪ ♪ IT AIN'T ME YOU'RE LOOKING FOR, BABE ♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] LADIES AND GENTLEMEN, PLEASE WELCOME WILLIE NELSON.

[CHEERING AND APPLAUSE] [PLAYING "WHAT WAS IT YOU WANTED?"]

♪ WHAT WAS IT YOU WANTED?

♪ ♪ TELL ME AGAIN SO I'LL KNOW ♪ ♪ WHAT'S HAPPENING IN THERE?

♪ ♪ WHAT'S GOING ON IN YOUR SHOW?

♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ COULD YOU SAY THAT AGAIN?

♪ ♪ I'LL BE BACK IN A MINUTE ♪ ♪ YOU CAN GET IT TOGETHER BY THEN ♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ YOU CAN TELL ME, I'M BACK ♪ ♪ WE CAN START IT ALL OVER ♪ ♪ GET IT BACK ON THE TRACK ♪ ♪ YOU GOT MY ATTENTION ♪ ♪ GO AHEAD, SPEAK ♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ WHEN YOU WERE KISSING MY CHEEK?

♪ ♪ WAS THERE SOMEBODY LOOKING ♪ ♪ WHEN YOU GIVE ME THAT KISS ♪ ♪ SOMEONE THERE IN THE SHADOWS ♪ ♪ SOMEONE THAT I MIGHT HAVE MISSED?

♪ ♪ IS THERE SOMETHING YOU NEEDED ♪ ♪ SOMETHING I DON'T UNDERSTAND ♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ DO I HAVE IT HERE IN MY HAND?

♪ ♪ WHATEVER YOU WANTED ♪ ♪ SLIPPED OUT OF MY MIND ♪ ♪ WOULD YOU REMIND ME AGAIN?

♪ ♪ WOULD YOU BE SO KIND?

♪ ♪ HAS THE RECORD BEEN BREAKING ♪ ♪ AND DID THE NEEDLE JUST SKIP?

♪ ♪ IS THERE SOMEBODY WAITING?

♪ ♪ WAS THERE A SLIP OF THE LIP?

♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ I AIN'T KEEPING SCORE ♪ ♪ ARE YOU THE SAME PERSON ♪ ♪ THAT WAS HERE BEFORE?

♪ ♪ IS IT SOMETHING IMPORTANT?

♪ ♪ MAYBE NOT ♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ TELL ME AGAIN, I FORGOT ♪ ♪ WHATEVER YOU WANTED ♪ ♪ WHAT COULD IT BE?

♪ ♪ DID SOMEBODY TELL YOU ♪ ♪ THAT YOU COULD GET IT FROM ME?

♪ ♪ IS IT SOMETHING THAT COMES NATURAL ♪ ♪ AND IS IT EASY TO SAY?

♪ ♪ WHAT WAS IT YOU WANTED ♪ ♪ AND WHO ARE YOU, ANYWAY?

♪ ♪ IS THE SCENERY CHANGING ♪ ♪ AND AM I GETTING IT WRONG?

♪ ♪ IS THE WHOLE THING GOING BACKWARDS?

♪ ♪ ARE THEY PLAYING OUR SONG?

♪ ♪ WHERE WERE YOU WHEN IT STARTED?

♪ ♪ DO YOU WANT IT FOR FREE?

♪ ♪ WHAT WAS IT YOU WANTED?

♪ ♪ ARE YOU TALKING TO ME?

♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] [PLAYING "I'LL BE YOUR BABY TONIGHT"] Nelson: HERE'S A GOOD FRIEND OF MINE, LADIES AND GENTLEMEN-- MR. KRIS KRISTOFFERSON.

[CHEERING AND APPLAUSE] ♪ CLOSE YOUR EYES ♪ ♪ CLOSE THE DOOR ♪ ♪ YOU DON'T HAVE TO WORRY ♪ ♪ ANYMORE ♪ ♪ I'LL BE YOUR BABY TONIGHT ♪ ♪ SHUT THE LIGHT ♪ ♪ SHUT THE SHADE ♪ ♪ YOU DON'T HAVE ♪ ♪ TO BE AFRAID ♪ ♪ I'LL BE YOUR BABY TONIGHT ♪ ♪ WELL, THAT MOCKINGBIRD'S GONNA SAIL AWAY ♪ ♪ WE'RE GONNA FORGET IT ♪ ♪ THAT BIG, FAT MOON IS GONNA SHINE LIKE A SPOON ♪ ♪ WE'RE GONNA LET IT ♪ ♪ YOU WON'T REGRET IT ♪ ♪ KICK YOUR SHOES OFF ♪ ♪ DO NOT FEAR ♪ ♪ BRING THAT BOTTLE OVER HERE ♪ ♪ I'LL BE YOUR BABY TONIGHT ♪ OH, YEAH.

♪ I'LL BE YOUR ♪ ♪ BE YOUR BABY TONIGHT ♪ [MUSIC ENDS] [CHEERING AND APPLAUSE] Smith: PLEASE WELCOME JOHNNY WINTER.

[CHEERING AND APPLAUSE] [PLAYING BLUES LICKS] ALL RIGHT.

IT'S CERTAINLY NICE TO BE HERE.

♪ 1, 2 ♪ ♪ 1, 2, 3 ♪ [PLAYING "HIGHWAY 61 REVISITED"] ♪ GOD SAID, "ABRAHAM, KILL ME A SON" ♪ ♪ ABE SAID, "MAN, YOU MUST BE PUTTING ME ON" ♪ ♪ GOD SAID, "NO," ABE SAYS, "WHAT?"

♪ ♪ GOD SAID, "YOU CAN DO WHAT YOU WANT, ABE" ♪ ♪ "BUT THE NEXT TIME YOU SEE ME COMING, MAN" ♪ ♪ "YOU BETTER RUN" ♪ ♪ ABE SAID, "WHERE DO YOU WANT THIS KILLING DONE?"

♪ ♪ GOD SAID ♪ ♪ "HIGHWAY 61" ♪ ♪ THE FIFTH DAUGHTER ON THE TWELFTH NIGHT ♪ ♪ TOLD THE FIRST FATHER THAT THINGS WEREN'T RIGHT ♪ ♪ "MY COMPLEXION," SHE SAID, "IS MUCH TOO WHITE" ♪ ♪ HE SAID, "YEAH, COME HERE AND STEP INTO THE LIGHT" ♪ ♪ HE SAID "YEAH, YOU'RE RIGHT" ♪ ♪ "LET ME TELL THE FIRST MOTHER THIS HAS BEEN DONE" ♪ ♪ BUT THE SECOND MOTHER WAS WITH THE SEVENTH SON ♪ ♪ AND THEY WERE BOTH OUT ON HIGHWAY 61 ♪ ♪ THE ROVING GAMBLER, HE WAS VERY BORED ♪ ♪ TRYING TO CREATE A THIRD WORLD WAR ♪ ♪ HE FOUND A PROMOTER WHO ALMOST FELL OFF THE FLOOR ♪ ♪ HE SAID, "I NEVER ENGAGED IN THIS TYPE OF THING BEFORE" ♪ ♪ "BUT, YEAH, I THINK IT CAN BE VERY EASILY DONE" ♪ ♪ "JUST PUT SOME BLEACHERS OUT IN THE SUN ♪ ♪ "HAVE IT ON HIGHWAY 61" ♪ ♪ ROVING GAMBLER, HE WAS VERY BORED ♪ ♪ TRYING TO CREATE A THIRD WORLD WAR ♪ ♪ HE FOUND A PROMOTER WHO ALMOST FELL OFF THE FLOOR ♪ ♪ HE SAID, "I NEVER ENGAGED IN THIS TYPE OF THING BEFORE" ♪ ♪ "BUT, YEAH, I THINK IT CAN BE VERY EASILY DONE" ♪ ♪ "PUT THE BLEACHERS OUT IN THE SUN" ♪ ♪ "HAVE IT ON HIGHWAY 61" ♪ ♪ GOD SAID, "ABRAHAM, KILL ME A SON" ♪ ♪ ABE SAID, "MAN, YOU MUST BE PUTTING ME ON" ♪ ♪ GOD SAID, "NO," AND ABE SAID, "WHAT?"

♪ ♪ GOD SAID, "YOU CAN DO WHAT YOU WANT, ABE" ♪ ♪ "BUT, NOW, NEXT TIME YOU SEE ME COMING" ♪ ♪ "YOU BETTER RUN" ♪ ♪ ABE SAID, "GOD, WHERE YOU WANT THIS DONE?"

♪ ♪ HE SAID, "DOWN ON HIGHWAY 61 ♪ YEAH!

YEAH!

[CHEERING AND APPLAUSE] ALL RIGHT!

THANK YOU.

Smith: JOHNNY WINTER.

LADIES AND GENTLEMEN, PLEASE WELCOME MR. RONNIE WOOD.

[CHEERING AND APPLAUSE] [PLAYING "SEVEN DAYS"] ♪ SEVEN DAYS ♪ ♪ SEVEN MORE DAYS, SHE'LL BE COMIN' ♪ ♪ I'LL BE WAITING AT THE STATION FOR HER TO ARRIVE ♪ ♪ SEVEN MORE DAYS, ALL I GOTTA DO IS SURVIVE ♪ ♪ SHE BEEN GONE ♪ ♪ EVER SINCE I BEEN A CHILD ♪ ♪ EVER SINCE I SEEN HER SMILE ♪ ♪ I AIN'T FORGOTTEN HER EYES ♪ ♪ SHE HAD A FACE THAT COULD OUTSHINE THE SUN IN THE SKIES ♪ ♪ THERE'S KISSING IN THE VALLEY THIEVING IN THE ALLEY ♪ ♪ FIGHTING EVERY INCH OF THE WAY ♪ ♪ TRYING TO BE TENDER WITH SOMEBODY I REMEMBER ♪ ♪ IN A NIGHT THAT'S ALWAYS BRIGHTER'N THE DAY ♪ ♪ WHOA, SEVEN DAYS ♪ ♪ SEVEN MORE DAYS THAT ARE CONNECTED ♪ ♪ JUST LIKE I EXPECTED, SHE'LL BE COMIN' ON STRONG ♪ ♪ SEVEN MORE DAYS ♪ ♪ ALL THAT'LL BE GONE ♪ ♪ YEAH ♪ GO, BOOKER!

[BOOKER T. JONES PLAYING ORGAN SOLO] YEAH.

STEVE!

♪ WELL, THERE'S KISSING IN THE VALLEY ♪ ♪ THIEVING IN THE ALLEY ♪ ♪ FIGHTING EVERY INCH OF THE WAY ♪ ♪ TRYING TO BE TENDER WITH SOMEBODY I REMEMBER ♪ ♪ IN A NIGHT THAT'S ALWAYS BRIGHTER'N THE DAY ♪ ♪ WHOA, SEVEN DAYS ♪ ♪ SEVEN MORE DAYS SHE'LL BE COMIN' ♪ ♪ I'LL BE WAITING AT THE STATION FOR HER TO ARRIVE ♪ ♪ SEVEN MORE DAYS, ALL I GOTTA DO IS SURVIVE ♪ ♪ WHOA, SEVEN MORE DAYS, ALL I GOTTA DO IS SURVIVE ♪ ♪ OH, SEVEN MORE DAYS, ALL I GOTTA DO IS SURVIVE ♪ ♪ WHOA, SEVEN MORE DAYS ♪ ♪ ALL I GOTTA DO IS SURVIVE ♪ [CHEERING AND APPLAUSE] ALL RIGHT.

ALL RIGHT.

THANK YOU.

I'M HAPPY TO PRESENT A MAINSTAY ON THE FOLK SCENE AND A REALLY, REALLY WONDERFUL HUMAN BEING-- MR. RICHIE HAVENS.

[CHEERING AND APPLAUSE] [PLAYING "JUST LIKE A WOMAN"] ♪ NOBODY FEELS ANY PAIN ♪ ♪ TONIGHT AS I STAND INSIDE THE RAIN ♪ ♪ EV'RYBODY KNOWS ♪ ♪ THAT BABY'S GOT NEW CLOTHES ♪ ♪ LATELY I SEE HER RIBBONS AND HER BOWS ♪ ♪ AND THE PROBLEMS AS THEY FALL FROM HER CURLS ♪ ♪ SHE TAKES JUST LIKE A WOMAN ♪ ♪ AND SHE MAKES LOVE ♪ ♪ JUST LIKE A WOMAN ♪ ♪ AND SHE ACHES ♪ ♪ JUST LIKE A WOMAN ♪ ♪ BUT SHE BREAKS JUST LIKE A LITTLE GIRL ♪ [CHEERING AND APPLAUSE] ♪ QUEEN MARY, SHE'S MY FRIEND ♪ ♪ I BELIEVE I'LL GO SEE HER AGAIN ♪ ♪ NOBODY'S GOT TO GUESS ♪ ♪ THAT BABY CAN'T BE BLESSED ♪ ♪ TILL SHE FINDS OUT SHE'S LIKE ALL THE REST ♪ ♪ WITH HER FOG, HER AMPHETAMINES, AND HER PEARLS ♪ ♪ SHE TAKES ♪ ♪ JUST LIKE A WOMAN ♪ ♪ AND SHE MAKES LOVE ♪ ♪ JUST LIKE A WOMAN ♪ ♪ AND SHE ACHES ♪ ♪ JUST LIKE A WOMAN ♪ ♪ BUT SHE BREAKS JUST LIKE A LITTLE GIRL ♪ [CHEERING AND APPLAUSE] ♪ IT WAS RAINING FROM THE FIRST ♪ ♪ AND I WAS DYING THERE OF THIRST ♪ ♪ SO I CAME IN HERE ♪ ♪ AND YOUR LONG-TIME CURSE HURTS ♪ ♪ BUT WHAT'S WORSE ♪ ♪ LORD, IS THIS PAIN IN HERE ♪ ♪ I CAN'T STAY IN HERE ♪ ♪ AIN'T IT CLEAR ♪ ♪ THAT I--OH, I CAN'T FIT ♪ ♪ I BELIEVE IT'S TIME FOR US TO QUIT ♪ ♪ AND WHEN WE MEET AGAIN ♪ ♪ INTRODUCED AS FRIENDS ♪ ♪ PLEASE DON'T LET ON ♪ ♪ THAT YOU KNEW ME WHEN ♪ ♪ I WAS HUNGRY ♪ ♪ AND IT WAS YOUR WORLD ♪ ♪ AH, YOU FAKE ♪ ♪ JUST LIKE A WOMAN ♪ ♪ AND YOU MAKE LOVE ♪ ♪ JUST LIKE A WOMAN ♪ ♪ AND YOU ACHE ♪ ♪ JUST LIKE A WOMAN ♪ ♪ BUT YOU BREAK JUST LIKE A LITTLE GIRL ♪ ♪ YOU BREAK JUST LIKE A LITTLE GIRL ♪ ♪ YOU BREAK ♪ ♪ JUST LIKE ♪ [CHEERING AND APPLAUSE] THIS NEXT GROUP'S GOT A SOUL CONNECTION WITH BOB DYLAN GOING BACK TO THE VILLAGE AND THE PUBS LIKE THE LION'S HEAD AND THE WHITE HORSE TAVERN.

PLEASE WELCOME THE CLANCY BROTHERS AND ROBBIE O'CONNELL WITH SPECIAL GUEST JUST FOR TONIGHT TOMMY MAKEM.

[CHEERING AND APPLAUSE] HELLO!

[CHEERING AND APPLAUSE] YOU NEVER THOUGHT YOU'D HEAR DYLAN-- YOU NEVER THOUGHT YOU'D HEAR DYLAN WITH AN IRISH ACCENT, DID YOU?

[CHEERING AND APPLAUSE] ♪ OH, THE TIME WILL COME UP ♪ ♪ WHEN THE WINDS WILL STOP ♪ ♪ AND THE BREEZE ♪ ♪ WILL CEASE TO BE BREATHIN' ♪ ♪ LIKE THE STILLNESS IN THE WIND ♪ ♪ BEFORE THE HURRICANE BEGINS ♪ ♪ THE HOUR THAT THE SHIP COMES IN ♪ ♪ AND THE SEAS WILL SPLIT AND THE SHIP WILL HIT ♪ ♪ AND THE SANDS ON THE SHORELINE WILL BE SHAKING ♪ ♪ THEN THE TIDE WILL SOUND AND THE WAVES WILL POUND ♪ ♪ AND THE MORNING WILL BE BREAKING ♪ ♪ OH, THE FISHES WILL LAUGH ♪ ♪ AS THEY SWIM OUT OF THE PATH ♪ ♪ AND THE SEAGULLS THEY'LL BE SMILING ♪ ♪ AND THE ROCKS ON THE SAND WILL PROUDLY STAND ♪ ♪ THE HOUR THAT THE SHIP COMES IN ♪ ♪ AND THE WORDS THAT ARE USED FOR TO GET THE SHIP CONFUSED ♪ ♪ WILL NOT BE UNDERSTOOD AS THEY'RE SPOKEN ♪ ♪ FOR THE CHAINS OF THE SEA WILL HAVE BUSTED IN THE NIGHT ♪ ♪ AND BE BURIED ON THE BOTTOM OF THE OCEAN ♪ ♪ OH, A SONG WILL LIFT AS THE MAINSAIL SHIFTS ♪ ♪ AND THE BOAT DRIFTS ON TO THE SHORELINE ♪ ♪ AND THE SUN WILL RESPECT EVERY FACE ON THE DECK ♪ ♪ THE HOUR THAT THE SHIP COMES IN ♪ ♪ THEN THE SANDS WILL ROLL OUT A CARPET OF GOLD ♪ ♪ FOR YOUR WEARY TOES TO BE A-TOUCHIN' ♪ ♪ AND THE SHIP'S WISE MEN WILL REMIND YOU ONCE AGAIN ♪ ♪ THAT THE WHOLE WIDE WORLD IS WATCHIN' ♪ [CHEERING AND APPLAUSE] ♪ OH, THE FOES WILL RISE WITH THE SLEEP STILL IN THEIR EYES ♪ ♪ AND THEY'LL JERK FROM THEIR BEDS ♪ ♪ AND THINK THEY'RE DREAMIN' ♪ ♪ BUT THEY'LL PINCH THEMSELVES AND SQUEAL ♪ ♪ AND THEY KNOW THAT IT'S FOR REAL ♪ ♪ THE HOUR THAT THE SHIP COMES IN ♪ ♪ THEN THEY'LL RAISE THEIR HANDS ♪ ♪ SAYIN' WE'LL MEET ALL YOUR DEMANDS ♪ ♪ BUT WE'LL SHOUT FROM THE BOW ♪ ♪ YOUR DAYS ARE NUMBERED ♪ ♪ AND LIKE PHARAOH'S TRIBE ♪ ♪ THEY'LL BE DROWNDED IN THE TIDE ♪ ♪ LIKE GOLIATH, THEY'LL BE CONQUERED ♪ [CHEERING AND APPLAUSE] Liam Clancy: BLESS YOU ALL!

THANK YOU!

ALL RIGHT, I GOTTA TELL YOU, I'M REAL PROUD TO INTRODUCE THIS NEXT ARTIST, WHOSE NAME HAS BECOME SYNONYMOUS WITH COURAGE AND INTEGRITY.

LADIES AND GENTLEMEN, SINEAD O'CONNOR.

[CHEERS AND BOOS] THANK YOU.

DON'T LET THE BASTARDS GET YOU DOWN.

I'M NOT DOWN.

[PIANO PLAYING "I BELIEVE IN YOU"] OK, TURN THIS UP.

♪ UNTIL THE PHILOSOPHY WHICH HOLDS ONE WAY SUPERIOR ♪ ♪ AND ANOTHER INFERIOR ♪ ♪ IS FINALLY AND PERMANENTLY DISCREDITED AND ABANDONED ♪ ♪ EVERYWHERE IS WAR ♪ ♪ UNTIL THERE'S NO LONGER ♪ ♪ FIRST CLASS OR SECOND CLASS CITIZENS OF ANY NATION ♪ ♪ UNTIL THE COLOR OF A MAN'S SKIN ♪ ♪ IS OF NO MORE SIGNIFICANCE ♪ ♪ THAN THE COLOR OF HIS EYES ♪ ♪ I'VE GOT TO SAY WAR ♪ ♪ UNTIL THE BASIC HUMAN RIGHTS ♪ ♪ ARE EQUALLY GUARANTEED TO ALL ♪ ♪ WITHOUT REGARD TO RACE ♪ ♪ I SAY WAR ♪ ♪ AND UNTIL THE IGNOBLE AND UNHAPPY REGIMES ♪ ♪ WHICH HOLD ALL OF US THROUGH CHILD ABUSE, YEAH ♪ ♪ CHILD ABUSE, YEAH ♪ ♪ SUBHUMAN BONDAGE HAVE BEEN TOPPLED ♪ ♪ UTTERLY DESTROYED ♪ ♪ EVERYWHERE IS WAR ♪ [CHEERING AND APPLAUSE] LADIES AND GENTLEMEN, MR. NEIL YOUNG.

[CHEERING AND APPLAUSE] [PLAYING "JUST LIKE TOM THUMB'S BLUES"] ♪ WHEN YOU'RE LOST IN THE RAIN IN JUAREZ ♪ ♪ AND IT'S EASTERTIME, TOO ♪ ♪ AND YOUR GRAVITY FAILS ♪ ♪ AND NEGATIVITY DON'T PULL YOU THROUGH ♪ ♪ DON'T PUT ON ANY AIRS ♪ ♪ WHEN YOU'RE WALKING DOWN RUE MORGUE AVENUE ♪ ♪ THEY GOT SOME UGLY WOMEN THERE ♪ ♪ AND THEY REALLY MAKE A MESS OUTTA YOU ♪ ♪ NOW IF YOU SEE SAINT ANNIE ♪ ♪ PLEASE TELL HER THANKS A LOT ♪ ♪ I CANNOT MOVE ♪ ♪ MY FINGERS ARE ALL IN A KNOT ♪ ♪ I DON'T HAVE THE STRENGTH ♪ ♪ TO GET UP AND TAKE ANOTHER SHOT ♪ ♪ AND MY BEST FRIEND THE DOCTOR ♪ ♪ WON'T EVEN TELL ME WHAT IT IS I'VE GOT ♪ ♪ SWEET MELINDA, THE PEASANTS CALL HER THE GODDESS OF GLOOM ♪ ♪ SHE SPEAKS GOOD ENGLISH ♪ ♪ AS SHE INVITES YOU UP INTO HER ROOM ♪ ♪ AND YOU'RE SO KIND, SO GENTLE ♪ ♪ NOT TO GO TO HER TOO SOON ♪ ♪ AND SHE STEALS YOUR VOICE ♪ ♪ AND LEAVES YOU HOWLING AT THE MOON ♪ ♪ UP ON HOUSING PROJECT HILL ♪ ♪ IT'S EITHER FORTUNE OR FAME ♪ ♪ YOU MUST CHOOSE ONE OR THE OTHER ♪ ♪ ALTHOUGH NEITHER OF THEM ARE TO BE WHAT THEY CLAIM ♪ ♪ IF YOU'RE LOOKIN' TO GET LUCKY ♪ ♪ YOU BETTER GO BACK TO FROM WHERE YOU CAME ♪ ♪ BECAUSE THE COPS DON'T NEED YOU ♪ ♪ AND MAN, THEY EXPECT THE SAME ♪ ♪ I STARTED OFF ON BURGUNDY ♪ ♪ BUT SOON I HIT THE HARDER STUFF ♪ ♪ MY FRIENDS ALL SAID THEY'D STAND BEHIND ME ♪ ♪ IF THE GAME GOT ROUGH ♪ ♪ BUT THE JOKE WAS ON ME ♪ ♪ THERE WAS NOBODY EVEN THERE TO CALL MY BLUFF ♪ ♪ I'M GOING BACK TO NEW YORK CITY ♪ ♪ I DO BELIEVE I'VE HAD ENOUGH ♪ ♪ I'M GOING BACK TO NEW YORK CITY ♪ ♪ I DO BELIEVE I'VE HAD ENOUGH ♪ ♪ I'M GOING BACK TO NEW YORK CITY ♪ ♪ I DO BELIEVE I'VE HAD ENOUGH ♪ [CHEERING AND APPLAUSE] THIS SONG'S FOR YOU, BOB.

THANKS FOR HAVING BOBFEST.

["ALL ALONG THE WACHTOWER" PLAYING] ♪ "THERE MUST BE SOME WAY OUT OF HERE" ♪ ♪ THE JOKER SAID TO THE THIEF ♪ ♪ "THERE'S TOO MUCH CONFUSION" ♪ ♪ "I CAN'T GET NO RELIEF" ♪ ♪ "BUSINESSMEN, THEY DRINK MY WINE" ♪ ♪ "PLOWMEN DIG MY EARTH" ♪ ♪ "BUT NONE OF THEM ANYWHERE ALONG THE LINE" ♪ ♪ "KNOW WHAT ANY OF IT'S WORTH" ♪ ♪ "NO REASON TO GET EXCITED," THE THIEF HE SOFTLY SPOKE ♪ ♪ "THERE ARE MANY HERE AMONG US" ♪ ♪ "WHO FEEL THAT LIFE IS BUT A JOKE" ♪ ♪ "BUT YOU AND I, WE'VE BEEN THROUGH THAT" ♪ ♪ "AND THIS IS NOT OUR FATE" ♪ ♪ "SO LET US NOT TALK FALSELY NOW" ♪ ♪ "THE HOUR IS GETTING LATE" ♪ ♪ ALL ALONG THE WATCHTOWER, PRINCES KEPT THE VIEW ♪ ♪ WHILE THE WOMEN, THEY CAME AND WENT ♪ ♪ BAREFOOT SERVANTS, TOO ♪ ♪ OUTSIDE IN THE DISTANCE ♪ ♪ A WILDCAT DID GROWL ♪ ♪ TWO RIDERS WERE APPROACHING ♪ ♪ THE WIND BEGAN TO HOWL ♪ ♪ ALL ALONG THE WATCHTOWER, PRINCES KEPT THE VIEW ♪ ♪ WHILE THE WOMEN, THEY CAME AND WENT ♪ ♪ BAREFOOT SERVANTS, TOO ♪ ♪ ALL ALONG THE WATCHTOWER ♪ ♪ ALL ALONG THE WATCHTOWER ♪ [CHEERING AND APPLAUSE] THANK YOU.

[CHEERING AND APPLAUSE] I'M REALLY PROUD RIGHT NOW TO INTRODUCE A WOMAN NAMED CHRISSIE HYNDE.

[CHEERING AND APPLAUSE] [PLAYING "I SHALL BE RELEASED"] ♪ THEY SAY EVERYTHING CAN BE REPLACED ♪ ♪ YET EVERY DISTANCE IS NOT NEAR ♪ ♪ SO I REMEMBER EVERY FACE ♪ ♪ OF EVERY MAN THAT PUT ME HERE ♪ ♪ I SEE MY LIGHT COME SHINING ♪ ♪ FROM THE WEST DOWN TO THE EAST ♪ ♪ ANY DAY NOW, ANY DAY NOW ♪ ♪ I SHALL BE RELEASED ♪ ♪ THEY SAY EVERY MAN NEEDS PROTECTION ♪ ♪ THEY SAY EVERY MAN MUST FALL ♪ ♪ BUT I SWEAR I SEE MY REFLECTION ♪ ♪ SOMEWHERE SO HIGH ABOVE THIS WALL ♪ ♪ I SEE MY LIGHT COME SHINING ♪ ♪ FROM THE WEST DOWN TO THE EAST ♪ ♪ ANY DAY NOW, ANY DAY NOW ♪ ♪ I SHALL BE RELEASED ♪ ♪ STANDING NEXT TO ME IN THIS LONELY CROWD ♪ ♪ IS A MAN WHO SWEARS HE'S NOT TO BLAME ♪ ♪ EVERY NIGHT I HEAR HIM SHOUT SO LOUD ♪ ♪ CRYING OUT THAT HE'S BEEN FRAMED ♪ ♪ OH, I SEE MY LIGHT COME SHINING ♪ ♪ FROM THE WEST DOWN TO THE EAST ♪ ♪ ANY DAY NOW, ANY DAY NOW ♪ ♪ I SHALL BE RELEASED ♪ ♪ I SEE MY LIGHT COME SHINING ♪ ♪ FROM THE WEST DOWN TO THE EAST ♪ ♪ ANY DAY NOW, ANY DAY NOW ♪ ♪ I SHALL BE RELEASED ♪ [CHEERING AND APPLAUSE] THANK YOU.

HELLO.

HOW ARE YOU?

THIS NEXT GENTLEMAN SPEAKS VOLUMES, AND WITH HIS NEW HAIRCUT, I'LL JUST SAY 2,000 OF THEM, HERE THEY ARE--ERIC CLAPTON.

[CHEERING AND APPLAUSE] [PLAYING "LOVE MINUS ZERO/ NO LIMIT"] ♪ MY LOVE, SHE SPEAKS LIKE SILENCE ♪ ♪ WITHOUT IDEALS OR VIOLENCE ♪ ♪ DON'T HAVE TO SAY SHE'S FAITHFUL ♪ ♪ YET SHE'S TRUE, LIKE ICE, LIKE FIRE ♪ ♪ PEOPLE CARRY ROSES, PROMISES BY THE HOUR ♪ ♪ MY LOVE SHE'S LIKE THE FLOWERS ♪ ♪ VALENTINES DON'T BUY HER ♪ ♪ IN THE DIME STORES AND BUS STATIONS ♪ ♪ PEOPLE TALK OF SITUATIONS ♪ ♪ READ BOOKS, REPEAT QUOTATIONS ♪ ♪ DRAW CONCLUSIONS ON THE WALL ♪ ♪ SOME SPEAK OF THE FUTURE ♪ ♪ MY LOVE, SHE SPEAKS SOFTLY ♪ ♪ KNOWS THERE'S NO SUCCESS LIKE FAILURE ♪ ♪ AND THAT FAILURE'S NO SUCCESS AT ALL ♪ ♪ CLOAK AND DAGGER DANGLES, MADAMS LIGHT THE CANDLES ♪ ♪ IN CEREMONIES OF THE HORSEMEN ♪ ♪ EVEN THE PAWN MUST HOLD A GRUDGE ♪ ♪ STATUES MADE OF MATCHSTICKS ♪ ♪ CRUMBLE INTO ONE ANOTHER ♪ ♪ MY LOVE WINKS, SHE DON'T BOTHER ♪ ♪ KNOWS TOO MUCH TO ARGUE OR TO JUDGE ♪ ♪ THE BRIDGE AT MIDNIGHT TREMBLES ♪ ♪ THE COUNTRY DOCTOR RAMBLES ♪ ♪ BANKERS' NIECES SEEK PERFECTION ♪ ♪ EXPECTING ALL THE GIFTS THAT WISE MEN BRING ♪ ♪ THE WIND HOWLS LIKE A HAMMER ♪ ♪ THE NIGHT BLOWS RAINY ♪ ♪ MY LOVE, SHE'S LIKE SOME RAVEN ♪ ♪ AT MY WINDOW WITH A BROKEN WING ♪ [CHEERING AND APPLAUSE] THANK YOU VERY MUCH!

[PLAYING "DON'T THINK TWICE, IT'S ALL RIGHT"] ♪ AIN'T NO USE TO SIT AND WONDER WHY, BABE ♪ ♪ IT DON'T MATTER, ANYHOW ♪ ♪ AIN'T NO USE TO SIT AND WONDER WHY, BABE ♪ ♪ IF YOU DON'T KNOW BY NOW ♪ ♪ WHEN YOUR ROOSTER CROWS AT THE BREAK OF DAWN ♪ ♪ LOOK OUT YOUR WINDOW, BABE, I'LL BE GONE ♪ ♪ YOU'RE THE REASON I'M TRAV'LIN' ON ♪ ♪ DON'T THINK TWICE, IT'S ALL RIGHT ♪ ♪ AIN'T NO USE IN TURNIN' ON YOUR LIGHT, BABE ♪ ♪ LIGHT I NEVER KNOWED ♪ ♪ AIN'T NO USE IN TURNIN' ON YOUR LIGHT, BABE ♪ ♪ I'M ON THE DARK SIDE OF THE ROAD ♪ ♪ STILL I WISH THERE WAS SOMETHIN' YOU WOULD DO OR SAY ♪ ♪ TRY AND MAKE ME MAKE MY MIND UP AND STAY ♪ ♪ WE NEVER DID TOO MUCH TALKIN' ANYWAY ♪ ♪ DON'T THINK TWICE, IT'S ALL RIGHT ♪ ♪ IT AIN'T NO USE IN CALLIN' OUT MY NAME, BABE ♪ ♪ LIKE YOU NEVER DID BEFORE ♪ ♪ AIN'T NO USE IN CALLIN' OUT MY NAME, BABE ♪ ♪ LORD, I CAN'T HEAR YOU ANYMORE ♪ ♪ I'M A-THINKIN' AND A-WOND'RIN' ALL THE WAY DOWN THE ROAD ♪ ♪ I ONCE LOVED A WOMAN, A CHILD I'M TOLD ♪ ♪ I GIVE HER MY HEART BUT SHE WANTED MY SOUL, LORD ♪ ♪ DON'T THINK TWICE, IT'S ALL RIGHT ♪ ♪ I'M WALKIN' DOWN THAT LONG, LONESOME ROAD, BABE ♪ ♪ WHERE I'M BOUND, I CAN'T TELL ♪ ♪ GOOD-BYE'S TOO GOOD A WORD, YEAH ♪ ♪ SO I'LL JUST SAY FARE THEE WELL ♪ ♪ I AIN'T SAYIN' YOU TREATED ME UNKIND ♪ ♪ YOU COULD HAVE DONE BETTER, BABY, BUT I DON'T MIND ♪ ♪ YOU JUST KINDA WASTED MY PRECIOUS TIME ♪ ♪ NO, DON'T THINK TWICE, DON'T THINK TWICE, IT'S ALL RIGHT ♪ [CHEERING AND APPLAUSE] THIS YEAR, THIS NEXT GROUP DID WHAT STEVIE WONDER DID IN 1966-- TOOK A BOB DYLAN SONG UP INTO THE R&B TOP 5.

PLEASE WELCOME THE O'JAYS.

[CHEERING AND APPLAUSE] [PLAYING "EMOTIONALLY YOURS"] THE CHOIR, MR. RON THAYER.

BOOKER T., YEAH?

♪ AHHHH ♪ ♪ MY, MY, MY ♪ ♪ OH-OH-OH ♪ ♪ COME BABY, FIND ME ♪ ♪ COME BABY, REMIND ME ♪ ♪ OF WHERE I ONCE BEGUN, OHH ♪ ♪ COME BABY, SHOW ME ♪ ♪ SHOW ME YOU KNOW ME ♪ ♪ TELL ME YOU'RE THE ONE ♪ ♪ HEY, I COULD BE LEARNING ♪ ♪ YOU COULD BE YEARNING TO SEE BEHIND CLOSED DOORS ♪ ♪ BUT I WILL ALWAYS BE ♪ ♪ EMOTIONALLY YOURS ♪ ♪ AHH, OHH ♪ ♪ OH, MY, MY ♪ ♪ OOH ♪ ♪ OHH ♪ ♪ COME BABY, ROCK ME ♪ ♪ ROCK ME TONIGHT ♪ ♪ COME ON AND LOCK ME ♪ ♪ OOH, OOH ♪ ♪ INTO THE SHADOWS OF YOUR HEART ♪ ♪ COME ON, BABY NOW ♪ ♪ COME BABY, TEACH ME ♪ ♪ TEACH ME ♪ ♪ COME ON BABY AND REACH ME ♪ ♪ LET THE MUSIC START ♪ ♪ YEAH, AND I COULD BE DREAMING ♪ ♪ I KEEP BELIEVING ♪ ♪ YOU'RE THE ONE I'M LIVIN' FOR ♪ ♪ I WILL ALWAYS BE EMOTIONALLY YOURS ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY YOURS ♪ ♪ COME ON, Y'ALL, CLAP YOUR HANDS ♪ ♪ IT'S LIKE MY WHOLE LIFE NEVER HAPPENED ♪ ♪ WHEN I SEE YOU, IT'S AS IF ♪ ♪ I NEVER HAD A THOUGHT ♪ ♪ I KNOW THIS DREAM, IT MIGHT BE CRAZY ♪ ♪ BUT IT'S THE ONLY ONE I'VE GOT ♪ ♪ SAY IT'S THE ONLY ONE I'VE GOT, OH ♪ ♪ COME BABY, SHAKE ME ♪ ♪ SHAKE ME TONIGHT ♪ ♪ COME ON AND TAKE ME ♪ ♪ OOH, OOH ♪ ♪ I MIGHT BE, OH, SATISFIED ♪ ♪ COME ON, BABY NOW ♪ ♪ COME BABY, HOLD ME ♪ ♪ HOLD ME ♪ ♪ COME ON BABY, AND HELP ME ♪ ♪ MY ARMS, MY ARMS ARE OPEN WIDE, WHOA ♪ ♪ I MIGHT BE UNRAVELING WHEREVER I'M TRAVELING ♪ ♪ EVEN TO FOREIGN SHORES ♪ ♪ AND I WILL ALWAYS BE ♪ ♪ EMOTIONALLY YOURS ♪ ♪ YOURS, YOURS YOURS, YOURS ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY YOURS ♪ ♪ I WILL ALWAYS BE ♪ ♪ OH, YES, I WILL ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY, EMOTIONALLY ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY, FOREVER AND EVER ♪ ♪ FOREVER AND EVER ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY ♪ ♪ FOREVER AND EVER... ♪ ♪ I WILL ALWAYS BE ♪ ♪ EMOTIONALLY ♪ ♪ FOREVER AND EVER, FOREVER AND EVER ♪ ♪ I WILL ALWAYS BE ♪ ♪ PASSIONATELY ♪ ♪ FOREVER AND EVER ♪ ♪ AND EVER ♪ ♪ I WILL ALWAYS BE EMOTIONALLY YOURS ♪ ♪ AHH, OOH ♪ [CHEERING AND APPLAUSE] WELL...BACK IN 1967 OR 1968, I HEARD A RECORD CALLED "MUSIC FROM BIG PINK," AND IT CHANGED MY LIFE.

IT CHANGED THE COURSE OF AMERICAN MUSIC.

PLEASE WELCOME THE BAND.

Man: DANKO!

DANKO!

DANKO!

DANKO!

[PLAYING "WHEN I PAINT MY MASTERPIECE"] ♪ OH, THE STREETS OF ROME ♪ ♪ ARE FILLED WITH RUBBLE ♪ ♪ ANCIENT FOOTPRINTS ARE EVERYWHERE ♪ ♪ YOU CAN ALMOST THINK ♪ ♪ THAT YOU'RE SEEIN' DOUBLE ♪ ♪ ON A COLD, DARK NIGHT ON THE SPANISH STAIRS ♪ ♪ GOT TO HURRY ON BACK TO MY HOTEL ROOM ♪ ♪ WHERE I'VE GOT ME A DATE ♪ ♪ WITH A PRETTY LITTLE GIRL FROM GREECE ♪ ♪ SHE PROMISED SHE'D BE THERE WITH ME ♪ ♪ WHEN I PAINT MY MASTERPIECE ♪ ♪ OH, THE HOURS WE'VE SPENT ♪ ♪ INSIDE THE COLISEUM ♪ ♪ DODGING LIONS AND WASTIN' TIME ♪ ♪ OH, THOSE MIGHTY KINGS OF THE JUNGLE ♪ ♪ I COULD HARDLY STAND TO SEE 'EM ♪ ♪ WELL, IT SURE HAS BEEN A LONG, HARD CLIMB ♪ ♪ TRAIN WHEELS A-RUNNIN' ♪ ♪ THROUGH THE BACK OF MY MEMORY ♪ ♪ WHEN I RAN ON THE HILLTOP ♪ ♪ FOLLOWING A PACK OF WILD GEESE ♪ ♪ SOMEDAY, EVERYTHING WILL SOUND LIKE A RHAPSODY ♪ ♪ WHEN I PAINT MY MASTERPIECE ♪ ♪ SAIL ROUND THE WORLD IN A DIRTY GONDOLA ♪ ♪ OH, TO BE BACK IN THE LAND OF COCA-COLA ♪ ♪ WELL, I LEFT ROME ♪ ♪ AND I LANDED IN BRUSSELS ♪ ♪ ON A PLANE RIDE SO BUMPY THAT I ALMOST CRIED ♪ ♪ CLERGYMEN IN UNIFORM ♪ ♪ AND YOUNG GIRLS PULLIN' MUSCLES ♪ ♪ EVERYONE WAS THERE TO GREET ME ♪ ♪ WHEN I STEPPED INSIDE ♪ ♪ NEWSPAPERMEN EATING CANDY ♪ ♪ HAD TO BE HELD DOWN BY BIG POLICE ♪ ♪ SOMEDAY, EVERYTHING'S GONNA BE DIFFERENT ♪ ♪ WHEN I PAINT MY MASTERPIECE ♪ ♪ SOMEDAY, EVERYTHING'S GONNA BE DIFFERENT ♪ ♪ WHEN I PAINT MY MASTERPIECE ♪ Johnny Cash: THANK YOU.

THANK YOU VERY MUCH.

HOPE YOU'RE HAVING FUN TONIGHT, BOB.

WE LOVE YOU.

I'D LIKE TO INTRODUCE 3 BRILLIANT YOUNG WOMEN MAKING A GREAT CONTRIBUTION TO THIS GENERATION OF MUSIC.

TO ME, THEY'RE THE SECOND GENERATION OF COURSE.

GREAT SONGWRITER-PERFORMERS-- PLEASE MAKE WELCOME SHAWN COLVIN, MARY CHAPIN CARPENTER, AND ROSANNE CASH.

[PLAYING "YOU AIN'T GOIN' NOWHERE"] ♪ CLOUDS SO SWIFT ♪ ♪ RAIN WON'T LIFT ♪ ♪ GATE WON'T CLOSE ♪ ♪ AND THE RAILINGS FROZE ♪ ♪ GET YOUR MIND OFF WINTERTIME ♪ ♪ 'CAUSE YOU AIN'T GOIN' NOWHERE ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ ♪ I DON'T CARE ♪ ♪ HOW MANY LETTERS THEY SENT ♪ ♪ MORNING CAME AND MORNING WENT ♪ ♪ PICK UP YOUR MONEY AND PACK YOUR TENT ♪ ♪ YOU AIN'T GOIN' NOWHERE ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ ♪ BUY ME A FLUTE AND A GUN THAT SHOOTS ♪ ♪ TAILGATES AND SUBSTITUTES ♪ ♪ STRAP YOURSELF TO THE TREE WITH ROOTS ♪ ♪ YOU AIN'T GOIN' NOWHERE ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ ♪ GENGHIS KHAN, HE COULD NOT KEEP ♪ ♪ ALL HIS KINGS ♪ ♪ SUPPLIED WITH SLEEP ♪ ♪ WE'LL CLIMB THAT HILL NO MATTER HOW STEEP ♪ ♪ WHEN WE GET UP TO IT ♪ ♪ OH, OH ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ ♪ WHOO-EE, RIDE ME HIGH ♪ ♪ TOMORROW'S THE DAY MY BRIDE'S GONNA COME ♪ ♪ OH, OH, ARE WE GONNA FLY ♪ ♪ DOWN IN THE EASY CHAIR ♪ THANK YOU!

THANK YOU!

THANK YOU!

Hynde: CAN YOU HANDLE ANOTHER GUITAR HERO?

[CHEERING AND APPLAUSE] LET ME GIVE YOU A LITTLE CLUE.

HALLELUJAH, HARE KRISHNA, YEAH, YEAH, YEAH!

GEORGE HARRISON!

[PLAYING "ABSOLUTELY SWEET MARIE"] ♪ WELL, YOUR RAILROAD GATE ♪ ♪ YOU KNOW I JUST CAN'T JUMP IT ♪ ♪ SOMETIMES IT GETS SO HARD, YOU SEE ♪ ♪ I'M JUST SITTING HERE ♪ ♪ BEATING ON MY TRUMPET ♪ ♪ WITH ALL THESE PROMISES YOU LEFT FOR ME ♪ ♪ BUT WHERE ARE YOU TONIGHT, SWEET MARIE?

♪ ♪ WELL, I WAITED FOR YOU ♪ ♪ WHEN I WAS HALF SICK ♪ ♪ YES, I WAITED FOR YOU ♪ ♪ WHEN YOU HATED ME ♪ ♪ WELL, I WAITED FOR YOU ♪ ♪ INSIDE OF THE FROZEN TRAFFIC ♪ ♪ WHEN YOU KNEW I HAD SOME OTHER PLACE TO BE ♪ ♪ NOW, WHERE ARE YOU TONIGHT, SWEET MARIE?

♪ ♪ WELL, ANYBODY CAN BE JUST LIKE ME ♪ ♪ OBVIOUSLY ♪ ♪ BUT THEN, NOW AGAIN ♪ ♪ NOT TOO MANY CAN BE LIKE YOU ♪ ♪ FORTUNATELY ♪ ♪ WELL, 6 WHITE HORSES ♪ ♪ THAT YOU DID PROMISE ♪ ♪ WERE FINALLY DELIVERED ♪ ♪ DOWN TO THE PENITENTIARY ♪ ♪ BUT TO LIVE OUTSIDE THE LAW, YOU MUST BE HONEST ♪ ♪ I KNOW YOU ALWAYS SAY THAT YOU AGREE ♪ ♪ WELL, WHERE ARE YOU TONIGHT, SWEET MARIE?

♪ ♪ WELL, I DON'T KNOW HOW IT HAPPENED ♪ ♪ BUT THE RIVERBOAT CAPTAIN, HE KNOWS MY FATE ♪ ♪ BUT EVERYBODY ELSE, EVEN YOURSELF ♪ ♪ THEY'RE JUST GONNA HAVE TO WAIT ♪ ♪ I GOT THE FEVER ♪ ♪ DOWN IN MY POCKETS ♪ ♪ THE PERSIAN DRUNKARD, HE FOLLOWS ME ♪ ♪ I CAN TAKE HIM TO YOUR HOUSE ♪ ♪ BUT I CAN'T UNLOCK IT ♪ ♪ YOU SEE, YOU FORGOT TO LEAVE ME WITH THE KEY ♪ ♪ AND WHERE ARE YOU TONIGHT, SWEET MARIE?

♪ ♪ AND WHERE ARE YOU TONIGHT, SWEET MARIE?

♪ THANK YOU VERY MUCH!

THANK YOU ALL!

LET'S HAVE A BIG BOBFEST WELCOME FOR TOM PETTY AND THE HEARTBREAKERS!

[CHEERING AND APPLAUSE] [STRUMS CHORD] YEAH.

[CHEERING CONTINUES] [PLAYING "LICENSE TO KILL"] ♪ MAN THINKS ♪ ♪ 'CAUSE HE RULES THE EARTH ♪ ♪ HE CAN DO AS HE PLEASES ♪ ♪ AND IF THINGS DON'T CHANGE SOON, HE WILL ♪ ♪ 'CAUSE MAN HAS INVENTED HIS DOOM ♪ ♪ THE FIRST STEP WAS TOUCHING THE MOON ♪ ♪ NOW, THERE'S A WOMAN ♪ ON MY BLOCK ♪ ♪ SHE JUST SITS THERE ♪ ♪ AS NIGHT GROWS STILL ♪ ♪ AND SHE SAYS ♪ ♪ "WHO GONNA TAKE AWAY HIS LICENSE TO KILL?"

♪ ♪ NOW, THEY TAKE HIM ♪ ♪ AND THEY TEACH HIM ♪ ♪ AND THEY GROOM HIM FOR LIFE ♪ ♪ AND THEY SET HIM ON A PATH ♪ ♪ WHERE HE'S BOUND TO GET ILL ♪ ♪ THEN THEY BURY HIM WITH STARS ♪ ♪ THEY SELL HIS BODY LIKE THEY DO USED CARS ♪ ♪ AND THERE'S A WOMAN ♪ ♪ ON MY BLOCK ♪ ♪ SHE JUST SITS THERE ♪ ♪ FACING THE HILL ♪ ♪ AND SHE SAYS "WHO GONNA TAKE AWAY HIS LICENSE TO KILL?"

♪ ♪ NOW HE'S HELL-BENT FOR DESTRUCTION ♪ ♪ HE'S AFRAID AND CONFUSED ♪ ♪ AND HIS BRAIN HAS BEEN MISMANAGED ♪ ♪ WITH GREAT SKILL ♪ ♪ YEAH, ALL HE BELIEVES ARE HIS EYES ♪ ♪ AND HIS EYES, THEY JUST TELL HIM LIES ♪ ♪ BUT THERE'S A WOMAN ♪ ♪ ON MY BLOCK ♪ ♪ SHE JUST SITS THERE ♪ ♪ IN A COLD CHILL ♪ ♪ AND SHE SAYS, "WHO GONNA TAKE AWAY HIS LICENSE TO KILL?"

♪ ♪ YOU MAY BE A NOISEMAKER, SPIRIT MAKER ♪ ♪ HEARTBREAKER, BACKBREAKER ♪ ♪ LEAVE NO STONE UNTURNED ♪ ♪ YOU MAY BE AN ACTOR IN A PLOT ♪ ♪ MIGHT BE ALL THAT YOU'VE GOT ♪ ♪ TILL YOUR ERROR IS CLEARLY LEARNED ♪ [CHEERING AND APPLAUSE] ♪ NOW HE WORSHIPS AT AN ALTAR ♪ ♪ BY A STAGNANT POOL ♪ ♪ AND WHEN HE SEES HIS REFLECTION ♪ ♪ HE'S FULFILLED ♪ ♪ YEAH, MAN IS OPPOSED TO FAIR PLAY ♪ ♪ HE WANTS IT ALL, HE WANTS IT HIS WAY ♪ ♪ BUT THERE'S A WOMAN ♪ ON MY BLOCK ♪ ♪ SHE JUST SITS THERE ♪ AS NIGHT GROWS STILL ♪ ♪ AND SHE SAYS, "WHO" ♪ ♪ "IS GONNA TAKE AWAY HIS LICENSE TO KILL?"

♪ [MIKE CAMPBELL PLAYING GUITAR SOLO] ♪ "YEAH, WHO GONNA TAKE AWAY" ♪ ♪ "HIS LICENSE TO KILL?"

♪ [PLAYING "RAINY DAY WOMEN #12 AND 35"] ♪ WELL, THEY'LL STONE YOU ♪ ♪ WHEN YOU'RE TRYING TO BE SO GOOD ♪ ♪ THEY'LL STONE YOU JUST LIKE THEY SAID THEY WOULD ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE TRYIN' TO GO HOME ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE THERE ALL ALONE ♪ ♪ BUT I WOULD NOT FEEL SO ALL ALONE ♪ ♪ EVERYBODY MUST GET STONED ♪ ♪ HEY ♪ ♪ WELL, THEY'LL STONE YOU ♪ ♪ WHEN YOU'RE WALKIN' ALONG THE STREET ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE TRYIN' ♪ ♪ TO KEEP YOUR SEAT ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE WALKING ON THE FLOOR ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE WALKIN' TO THE DOOR ♪ ♪ HEY, BUT I WOULD NOT FEEL SO ALL ALONE ♪ ♪ HONEY, EVERYBODY MUST GET STONED ♪ ♪ WELL, THEY'LL STONE YOU AT THE BREAKFAST TABLE ♪ ♪ THEY'LL STONE YOU WHEN YOU ARE YOUNG AND ABLE ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE TRYIN' TO MAKE A BUCK ♪ ♪ THEY'LL STONE YOU ♪ ♪ AND THEN THEY'LL SAY, "GOOD LUCK" ♪ ♪ HEY, BABY, I WOULDN'T FEEL SO ALL ALONE ♪ ♪ EVERYBODY MUST GET STONED ♪ ♪ WELL, THEY'LL STONE YOU ♪ ♪ AND THEY'LL SAY THAT IT'S THE END ♪ ♪ THEY'LL STONE YOU, THEN THEY'LL COME BACK AGAIN ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE RIDING IN YOUR CAR ♪ ♪ THEY'LL STONE YOU WHEN YOU'RE PLAYING YOUR GUITAR ♪ ♪ BUT I WOULD NOT FEEL SO ALL ALONE ♪ ♪ EVERYBODY MUST GET STONED ♪ ♪ OH, EVERYBODY MUST GET STONED ♪ ♪ EVERYBODY MUST GET STONED ♪ ♪ EVERYBODY MUST GET STONED ♪ Audience: ♪ EVERYBODY MUST GET STONED ♪ ♪ I WOULDN'T FEEL SO ALL ALONE ♪ ♪ EVERYBODY MUST GET STONED ♪ ♪ HEY ♪ THANK YOU VERY MUCH.

GOT ANOTHER FOR YOU NOW.

WELCOME AN OLD FRIEND OF MINE, FOUNDER OF THE BYRDS MR. ROGER McGUINN.

[CHEERING AND APPLAUSE] [PLAYING "MR. TAMBOURINE MAN"] ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ I'M NOT SLEEPY ♪ ♪ AND THERE AIN'T NO PLACE I'M GOING TO ♪ ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ IN THE JINGLE JANGLE MORNING ♪ ♪ I'LL COME FOLLOWIN' YOU ♪ ♪ TAKE ME FOR A TRIP ♪ ♪ UPON YOUR MAGIC SWIRLIN' SHIP ♪ ♪ ALL MY SENSES HAVE BEEN STRIPPED ♪ ♪ AND MY HANDS CAN'T FEEL TO GRIP ♪ ♪ AND MY TOES TOO NUMB TO STEP ♪ ♪ WAIT ONLY FOR MY BOOT HEELS TO BE WANDERIN' ♪ ♪ I'M READY TO GO ANYWHERE ♪ ♪ I'M READY FOR TO FADE ♪ ♪ OH, INTO MY OWN PARADE ♪ ♪ CAST YOUR DANCING SPELL MY WAY ♪ ♪ I PROMISE TO GO UNDER IT ♪ ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ I'M NOT SLEEPY ♪ ♪ AND THERE AIN'T NO PLACE I'M GOING TO ♪ ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ IN THE JINGLE JANGLE MORNING ♪ ♪ I'LL COME FOLLOWIN' YOU ♪ ♪ AND THOUGH YOU MIGHT HEAR LAUGHIN' ♪ ♪ SPINNIN', SKIPPIN' MADLY ACROSS THE SUN ♪ ♪ IT'S NOT AIMED AT ANYONE ♪ ♪ IT'S JUST ESCAPIN' ON THE RUN ♪ ♪ AND BUT FOR THE SKY ♪ ♪ THERE ARE NO FENCES FACIN' ♪ ♪ WELL, AND IF YOU HEAR VAGUE TRACES ♪ ♪ OF SKIPPIN' REELS OF RHYME ♪ ♪ TO YOUR TAMBOURINE IN TIME ♪ ♪ I WOULDN'T PAY IT ANY MIND ♪ ♪ IT'S JUST A RAGGED CLOWN BEHIND ♪ ♪ AND IT'S JUST A SHADOW THAT YOU'RE SEEIN' ♪ ♪ THAT HE'S CHASING ♪ ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ I'M NOT SLEEPY ♪ ♪ AND THERE AIN'T NO PLACE I'M GOING TO ♪ ♪ HEY!

MR. TAMBOURINE MAN ♪ ♪ PLAY A SONG FOR ME ♪ ♪ IN THE JINGLE JANGLE MORNING ♪ ♪ I'LL COME FOLLOWIN' YOU ♪ THANK YOU.

Harrison: HELLO, AGAIN.

[CHEERING AND APPLAUSE] WELL, IT IS MY PLEASURE TO BE HERE TO INTRODUCE-- SOME OF YOU MAY CALL HIM BOBBY, SOME OF YOU MAY CALL HIM ZIMMY, I CALL HIM LUCKY.

LADIES AND GENTLEMEN, PLEASE WELCOME BOB DYLAN.

[CHEERING AND APPLAUSE] [PLAYING "MY BACK PAGES"] ♪ CRIMSON FLAMES TIED THROUGH MY EARS ♪ ♪ ROLLIN' HIGH AND MIGHTY TRAPS ♪ ♪ COUNTLESS FIRE ON FLAMING ROADS ♪ ♪ USING IDEAS AS MY MAPS ♪ ♪ "WE'LL MEET ON EDGES, SOON," SAID I ♪ ♪ PROUD 'NEATH HEATED BROW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ Petty: ♪ HALF-WRACKED PREJUDICE LEAPED FORTH ♪ ♪ "RIP DOWN ALL HATE," I SCREAMED ♪ ♪ LIES THAT LIFE IS BLACK AND WHITE ♪ ♪ SPOKE FROM MY SKULL I DREAMED ♪ ♪ ROMANTIC FACTS OF MUSKETEERS ♪ ♪ FOUNDATIONED DEEP SOMEHOW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ ♪ GIRLS' FACES FORMED THE FORWARD PATH ♪ ♪ FROM PHONY JEALOUSY ♪ ♪ TO MEMORIZING POLITICS ♪ ♪ OF ANCIENT HISTORY ♪ ♪ FLUNG DOWN BY CORPSE EVANGELISTS ♪ ♪ UNTHOUGHT OF, THOUGH, SOMEHOW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ [CLAPTON PLAYING GUITAR SOLO] ♪ A SELF-ORDAINED PROFESSOR'S TONGUE ♪ ♪ TOO SERIOUS TO FOOL ♪ ♪ SPOUTED OUT THAT LIBERTY ♪ ♪ IS JUST EQUALITY IN SCHOOL ♪ ♪ "EQUALITY," I SPOKE THE WORD ♪ ♪ AS IF A WEDDING VOW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ ♪ IN A SOLDIER'S STANCE, I AIMED MY HAND ♪ ♪ AT THE MONGREL DOGS WHO TEACH ♪ ♪ FEARING NOT THAT I'D BECOME MY ENEMY ♪ ♪ IN THE INSTANT THAT I PREACH ♪ ♪ MY EXISTENCE LED BY CONFUSION BOATS ♪ ♪ MUTINY FROM STERN TO BOW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ Harrison: ♪ YES, MY GUARD STOOD HARD WHEN ABSTRACT THREATS ♪ ♪ TOO NOBLE TO NEGLECT ♪ ♪ DECEIVED ME INTO THINKING ♪ ♪ I HAD SOMETHING TO PROTECT ♪ ♪ GOOD AND BAD, I DEFINE THESE TERMS ♪ ♪ QUITE CLEAR, NO DOUBT, SOMEHOW ♪ ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ [YOUNG PLAYING GUITAR SOLO] ♪ AH, BUT I WAS SO MUCH OLDER THEN ♪ ♪ I'M YOUNGER THAN THAT NOW ♪ [PLAYING "KNOCKIN' ON HEAVEN'S DOOR"] [CLAPTON PLAYING GUITAR SOLO] ♪ MAMA, TAKE THIS BADGE OFF OF ME ♪ ♪ I CAN'T USE IT ANYMORE ♪ ♪ IT'S GETTIN' DARK, TOO DARK TO SEE ♪ ♪ I FEEL LIKE I'M KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ [CLAPTON PLAYING AND YOUNG GUITAR DUET] ♪ MAMA, WIPE THE BLOOD FROM MY FACE ♪ ♪ I CAN'T SEE THROUGH IT ANYMORE ♪ ♪ LONG BLACK TRAIN ISN'T EASY TO TRACE ♪ ♪ NOW I FEEL LIKE I'M KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ [CLAPTON AND YOUNG PLAYING GUITAR DUET] ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ HEY, HEY, HEY, HEY, HEY ♪ ♪ KNOCK, KNOCK, KNOCKIN' ON HEAVEN'S DOOR ♪ ♪ OHH ♪ [CHEERING AND APPLAUSE] ["KNOCKIN' ON HEAVEN'S DOOR" PLAYING] [CLAPTON PLAYING GUITAR SOLO] [CLAPTON AND YOUNG PLAYING GUITAR DUET]